Christ Nailed

now finished: Wise Blood by Flannery O'Connor
now reading: My Life by Bill Clinton
up next: The Wife by Alafair Burke

I've just finished reading Wise Blood, and I am here to say -- what a weird little book. Of course, for Flannery O'Connor that's a pretty tame comment. We emerge from so much of her writing with comments more along the lines of "Damn, that was dark!" or maybe "That was so fucked up!" so, you know, "weird" is no big, really. Then again, please don't get me wrong - there is twisted shit a-plenty in this novel, and I don't believe I'm spoilering you as a Flannery O'Connor reader by saying please don't expect a happy ending. But somehow this one, despite its showcase of the usual gothic depravity that is humanity, didn't leave me reeling as some of her others have.

And that, I think, is because I was so amused and delighted by her central character's invented not-religion, the Church Without Christ. Early-ish in the novel, Haze, who in Wise Blood is what passes for our protagonist, declares, "I don't have to run from anything because I don't believe in anything" (p. 72 of ISBN 978-0-374-530631) and I perked right up. It reminds me of one of my favorite Pretty Woman lines I'm forever quoting at people: "I can do anything I want; I'm not lost."

A bit later, this man -- who, like everyone else in the novel, is pretty much a lost wreck -- begins "preaching" his Church Without Christ. Basically in response to someone on the street one day who mentions the Church of Christ, Haze invents his Church Without Christ and says, "I'm member and preacher to that church where the blind don't see and the lame don't walk and what's dead stays that way. Ask me about that church and I'll tell you it's the church that the blood of Jesus don't foul with redemption...I'm going to preach there was no Fall because there was nothing to fall from and no Redepmption because there was no Fall and no Judgement because there wasn't the first two. Nothing matters but that Jesus was a liar." (p. 101 of ISBN 978-0-374-530631)

Good stuff, right? I mean - this book is hilarious. Even though it's also Flannery-dark-and-twisted. Now, O'Connor herself was Catholic, right? To the end? I've finished this book but am still unsure of exactly what she is trying to say about religion herein. Or about people. Or wisdom or blood. The plot, such as it is, mostly involves a few characters running into and from one another in a weird little small town as they try to figure out something, anything about their weird little days, and there's all kinds of grotesque imagery, animals-in-cages symbolism, notions of freedom, automobiles, whorehouses...a real nice range of human fuckery. But it's peppered throughout with Haze's "sermons" and it's therefore kind of fun.

There is also a great (terrible) argument with an even-more-pathetic-and-stupid-than-Haze (if that's possible) (and it is) character, named Onnie Jay, who tells Haze, "It don't make any difference how many Christs you add to the name if you don't add none to the meaning, friend." See what she does there? This clown actually thinks Haze is trying to preach Christ because, I'm telling you, he's reeeeallllly dumb, but O'Connor manages that jab at religious hypocrisy nicely. Onnie Jay goes on to say, "You ought to listen to me because I'm not just an amateur. I'm an artist-type. If you want to get anywheres in religion, you got to keep it sweet. You got good idears but what you need is an artist-type to work with you." (p. 157 of ISBN 978-0-374-530631)

Ha ha ha ha ha. That last sentence there in those exact words might be the very advice I'd give to, well, the whole world, if I were a consultant to the world. (And really, am I not, though, a consultant to the world? Just a decidedly unpaid one.)

Now in this book Flannery has touched me with not just the darkness, the worst zoo ever, an exploited gorilla, the religion, and this little artist-type bit, but she outdoes herself with one more passage that became my favorite with how nicely it sums up my religious worldview, like, really and truly.

I'll get to that in a second, but let me remind you that this is not to say I 100% agree with Haze. His nihilist Church Without Christ (it still makes me smile every time I type it) is actually antithetical to me in some ways, such as when he delivers this sermon: "I preach there are all kinds of truth, your truth and somebody else's, but behind all of them, there's only one truth and that is that there's no truth...No truth behind all truths is what I and this church preach!"  I dig his blasting of religion and all there is to unpack in O'Connor's literature, but I definitely DON'T believe in "no truth." There absolutely are absolute truths. I just think they're not being taught by religions, on the whole.

However, he moves from this directly into some of what I DO think, starting with his very next sentence:

"Where you come from is gone, where you thought you were going to never was there, and where you are is no good unless you can get away from it. Where is there a place for you to be? No place. 

"Nothing outside you can give you any place," he said. "You needn't look at the sky because it's not going to open up and show no place behind it. You needn't to search for any hole in the ground to look through into somewhere else. You can't go neither forwards nor backward into your daddy's time nor your children's if you have them. In yourself right now is all the place you've got. If there was a Fall, look there, if there was any Redemption, look there, and if you expect any Judgment, look there, because they all three will have to be in your time and your body and where in your time and your body can they be?

"Where in your time and your body has Jesus redeemed you?" he cried. "Show me where because I don't see the place. If there was a place where Jesus had redeemed you that would be the place for you to be, but which of you can find it?"   (pp. 165-166 of ISBN 978-0-374-530631)

That, my friends, is some excellent preaching. In the past, when I have tried my ablest to get people to explain to me how Christianity works, perhaps I should have just hurled that question at them, demanding to be shown where in your time and body Jesus has redeemed you. Show me, people. Show me damn where.

And just for some icing on this cake of Wise Blood, there's a (fucked up, obviously) character who swears, and boy does he swear excellently. He has introduced me to two new excellent swears, in fact: "Jesus on the cross!" and "Christ nailed."  I shall endeavor to incorporate them into my vocabulary at the earliest opportunity.

A literary realist, a philosopher, and a crime novelist (walk into a bar?) Or, 2014: So Far

now reading: The Shadow of Blooming Grove: Warren G. Harding in His Times by Francis Russell

Yes, yes, we're back. 2014 is going to be a year full of reading projects. No, this blog was not updated at any point in the latter half of 2013, a fact I most regret. But let's not dwell on the spilt milk, am I right? Let's pour ourselves a fresh glass - soy, if you please - and get cracking on all the books that are fit to read for 2014, which stretches so nicely ahead of us.

2014 reads so far

The trio with which I've opened the year are three oh-so-very different books.

The Beast in the Jungle by Henry James
I've gone on a bit of a Henry James tear of late, not for any real reason other than that I had a collection of his novellas sitting around. I believe I got this packed-to-the-gills edition while I was at USC, but I also believe that I blew off some of my Henry James reading back in the American Lit major day, because I don't recall a thing.  Or is he just that unmemorable? The latter may be all too true. After mildly enjoying a few of the novellas/short stories (espcially "The Aspern Papers") (but that really is a short story, wouldn't you say? I think only Beast and The Turn of the Screw seem long enough to be novellas) I read this Beast last and thought it the most overrated of all. I've been hearing all my life about the homosexual subtext of this thought-provoking masterpiece and I've gotta say, I just didn't see it (neither the homosexuality, nor the provoked thoughts, nor the masterpiece). What on Earth happened between Archer (was that his name? I've already forgotten) and May Bartram?  Oh wait, Marcher. I knew Archer didn't sound right. Well anyway, what was that all about? These two might have the weirdest unconsummated relationship in all of literature, or maybe the weirdest of any relationship. Apparently Mr. James was trying to grapple with/tell us about fate and loneliness. So he has this guy who's convinced something big is going to happen to him and blah blah blah, but how does he get HER to join in with him waiting for this stupid fate? Why can't she wait for her own fate? This book blows me away by how unrealistic it is. Who lives like this? Literary realism, my foot. Anyway, it's over quickly enough, at least.

The Philosophy of Aristotle
Meanwhile, my philosophers project still hasn't really got off the ground, so I've decided to reframe it. I was going to read one philosopher per month each month of 2013, but instead all I did was read a bit about Thales online, then read The Dialogues of Plato (for Socrates) and Republic (for Plato) and then, wouldja look at that, 2013 was over. SO: we'll just say that doing the ancient Greeks was priming the pump, and now that I've done those guys AND Aristotle -- whom, surprise, surprise, I relate to the most (minus the misogyny) -- I will jump into a year of reading 12 philosophers, one per month, as soon as I'm ready to commence that project, which I think will be later this summer. (Because: so many other reading projects to get caught up with in the meantime.) I have to say that reading some of ol' Aristotle's Metaphysics and Logic can be tedious, but Poetics cheered me right up. And really, the guy was a genius. Except for the whole slavery and sexism, ugh, WHY?

212 by Alafair Burke
Aaaaand, a mystery. Mostly because I didn't read my yearly Alafair Burke in 2013 (I didn't set out to make it a yearly tradition, but the last three years living abroad in three different places, I've acquired three of her books on my Kindle for PC (because I have YET to see her paperbacks on sale in any bookstores in Asia; what gives?) and happened to electronically read one in each ESL-teaching-abroad apartment...and though I didn't get to one in China in 2013, everybody knows that even though it was January 2014 it wasn't the new Chinese year yet, so I was still safe. 212 is the third in her Ellie Hatcher series, the spunky Manhattan detective, and there's actually a fourth already out that I will get around to in some future summer. 212 came out a few years ago, I think while I was living in Chicago. As always, reading her books makes me miss living in New York City. This one was all right: interesting banter, really interesting characters (who make terrible choices) (yes, I am judging what some gals choose to do with their lives), and lots of different things going on.  However  SPOILER ALERT!!!   *spoiler spoiler go on to the next paragraph if you don't want a spoiler*  I think that what's-his-name the former cop should have been given more to do --perhaps more banter!--because he was kind of lurking in the background but he was so pivotal, helpful, and involved with different characters in different ways that it made it kind of obvious that he was the bad guy. However to my however, that didn't actually ruin the reading or anything because you still don't quite know how it all fit together. STILL SPOILERING HERE !!!! I also wasn't sure how I felt about the #ambiguousI'mnotambiguous climactic shooting. It was definitely "kind of shady, morality-wise," as Skinny Pete (or was it Badger?) would say. And finally, throughout the novel there are some paragraphs that pop up in which somebody talks too long, uninterrupted.  I often think about this myself, when writing dialogue.  You don't actually write dialogue exactly as people talk, obviously, but you can't cross the line into the place where it's JUST an explanation/rant/showing off of wisdom and no longer resembles real conversation flow. (Are you listening, William Styron in Set This House on Fire?) It might sound like I'm criticizing the book, but I actually just compared Alafair Burke to the great and mighty Styron, so there's that.

Is it interesting that I warned you away from the above paragraph if you don't want spoilers but feel under no obligation to do so, on this blog at least, for Henry James?  Hmmmm.

And now, you ask? Why, I'm reading a prez bio of course.  Stay tuned; in my next post we'll check in with the status of my bio-of-every-prez-to-see-where-we-went-wrong(a project obviously conceived and named during the Dubya "administration").

Where Are We On This?

Ahhhh, corporate-speak. As someone pointed out, Orwell's dire predictions of government doublespeak weren't wrong, and they have manifested not just in the military but also in the corporate jargon to which we all so willingly bow down... (Then again, the military is one giant corporation, profiting from violence and death, so there's that.)  Anyway, a favorite corporate line delivered by bosses and managers and "leaders" everywhere is "Where are we on that?"  What a great way to ask someone what the hell is going on, and to blame them without overtly blaming them, which is what corporate-speak is made for.

Well, where we are -- the royal we of this blog -- is a certain country that had me absent without blog behind a certain Gr**t F*r*w*ll for the last few months. Now the issue of access has been mended, we hope for the long haul, and once again I can crank out the bloggage on both Linda Without Borders and on this, its Literary Supplement blog.

But I'm not going to drag you people through tedious posts about each and every book I've read since I last posted -- when was it? -- last October! Um, gulp. Yikes. That can't even all be blamed on a certain country with whom Donald Trump would like to start a war whenever it is most convenient and profitable for him.

Just a rundown, then!

• The End of 2012

After finally reading The Brothers Karamazov down yonder in Mexico (seriously, finally -- I even have a "Finally" shelf on Goodreads now, inspired by that and Cloud Atlas), I spent the remaining time in Mexico reading John Updike's Rabbit, Run (my "U" pick for my Top Half of my A-to-Z Literary Blog Project), Jorge Luis Borges' El Aleph (one of my reading-five-essential-books-and/or-authors-to-familiarize-myself-with-more-literature-in-Spanish project), and Benjamin Harrison  by Charles Calhoun (#23 in my Presidents: Where Did We Go Wrong? project). I spend a lot of time in the projects. No thanks to the Mexican post office/customs/federales that stole my B. Harrison and McKinley books shipment the first time around, forcing me to re-order them. I still like picturing some cartel king somewhere learning all about these random Midwestern presidents of the late 19th century. Rabbit, Run was OK; I wanted something more from Updike but should appreciate it more for its time, perhaps. (Yes, I just called you old if you are an Updike contemporary - sorry about that.) It also has officially eclipsed The Shining for Most Memorable Bathtub Scene. Borges, on the other hand, is an unequivocal genius. Benjamin Harrison is significant mainly for being the point at which we depart from the chronology of presidents matching the chronology of presidencies, and from here on out when you say so-and-so is the twenty- or thirty-whatever-eth president you annoy me because really it's that they are the twenty- or thirty-whatever-eth presidency and you are counting Grover Cleveland as two people.

I then returned to the U.S. on a bit of a Pulitzer tear. I had just finished listening to the audio book The Looming Tower: Al Qaeda and the Road to 9/11 by Lawrence Wright, which was all kinds of fascinating and one of my favorite things I've listened to because I just learned so much (the purpose of my listening to audio books at all -- I still hate being read to, but I pretend I'm listening to, like, really in depth public radio features). Back in Arizona, I launched into my next audio Pulitzer winner, The Denial of Death by Ernest Becker, which I really kind of hated. It's pretty terrible, and the combination of Pulitzer and learning just a few things barely kept me hanging on.  As for actual book-books, I returned to the U.S. reading Gone With the Wind, which seems appropriate, and I of course have to wonder why I never read this before, it being so Atlanta-y as well as famous and Pulitzery, and I just adored it. It's remarkable and misunderstood. Next up were The Brief Wondrous Life of Oscar Wao by Junot Diaz (good!) and the Poems of Edwin Arlington Robinson (also good, and even inspiring on the eve of my departure).

• It's 2013!  Let's go read in Asia. 

Continuing the Pulitzer and the Prez Project themes, I spent January reading In the Days of McKinley  by Margaret Leech, a really well done bio and one that made me feel lots of warm fuzzy things for its subject. McKinley just genuinely tried to be nice to people, almost all of the time. Couldn't we all use a bit more of that?! I commenced my new audio book with the advent of my new job's commute: In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin by Erik Larson, whom you may know as the author of The Devil in the White City. Good stuff. I like German things, and I like learning about what the hell is going on behind the scenes when people are violent warmongers. There's never any excuse for it, of course, but we must try to understand.

• February: Lunar New Year and reading on the beach in the Philippines!

Not the whole month, unfortunately, but we did have a nice vacay and on the trip I was pretty excited to go to Manila and see Taft Avenue and McKinley Drive after just having read all about the beginnings of their unfortunate involvement there. Before the holiday I completed William Styron's Set This House on Fire, my "S" pick for the A-to-Z Top Half, and it was a fun Italian lesson and good for the whole self-indulgent-writer-thing, but kind of a sophomore effort compared to Lie Down in Darkness. I spent my beach time reading The Rise of Theodore Roosevelt by Edmund Morris, volume one of the magnificent (as pretty much everyone says) trilogy bio of TR (don't call him Teddy!)

• In Like a "Finally!", Out Like an A-to-Z Top Half Project

In March I completed two novels, Cloud Atlas by David Mitchell, which I came to rather enjoy and which reminded me with so many strong sentimental feelings of Amanda and everyone else at Cambridgeside as well as some other books I have also meant to read since that time (but none more meant to read since Cambridge days than Cloud Atlas), and Creation by Gore Vidal, my "V" pick for the A-to-Z project top half, which was pretty long and rambly but interesting, too, it can't be denied. Then it was back to Theodore...

• April Was Actually Not the Cruelest Month This Year. Go Figure.

...and to be honest, Theodore Rex, volume two, was not quite as good as Edmund's first TR, but it was still really, really interesting and better than a lot of bios. A bad day in the TR trilogy is like a good day in some other books. Including, through no fault of the author but unfortunately in my experience, the audio book I was listening to during April, What Hath God Wrought: The Transformation of America, 1815-1850 by Daniel Walker Howe. The book itself (another Pulitzer winner) is informative and fascinating, and I knew I would enjoy listening about that era, which I have been saying as I read all my prez bios from that era is a massively interesting and under-appreciated time in U.S. history. The narration and splicing together of apparently two different narrators were horrible and nearly drove me batty. Why do I persist with Audible? Sigh. Sometimes it really is great, though, to listen and learn. Anyway, after Theodore Rex I read The Dialogues of Plato because I have another project this year (yes, really) in which I am reading a bit about/by one philosopher per month. I'm actually pretty far behind on this project, which I meant to start in January and then February but didn't until Thales in March (just online reading about him) and then Socrates in April. Notice I said Socrates, as the Dialogues were really about him. In May I am moving on to actual Plato-Plato.

• Which Brings Us to the Merry Merry Month of May

And I squeezed in a novel while we traveled to Vietnam, appropriately (I figured) my annual Nelson DeMille. This year was The Gold Coast. Oh, how hilarious to revisit Long Island and its totally out of touch rich assholes! Worth it for that alone, but of course we all know how much I love me some Nelson DeMille biting wit and sarcasm.

And, there! We are caught up! I am now in the middle of a bunch of books at once, due to a series of unfortunate coinciding factors, but a couple of them are just about China and Chinese learning and whatnot. I am actually read-reading the third Edmund Morris volume, Colonel Roosevelt, as well as The Grapes of Wrath, whose praises I will sing next time I post.

Be sure to check in here with the Literary Supplement blog, posted every Sunday, as we are now back with a vengeance! Or at least with lots of bookmarks!